April 29, 2020
April 29, 2020
April 29, 2020
Be sure to stop by the Pacific Northwest College of Art this next two weeks to see Chuck Ryan’s @chuckslab display. You saw this PFI scholarship winner show his graduate collection at September’s Fade to Light Show. Now you can see it in the Scholastic Gold Key Exhibit. Chuck’s creations are competing for the Scholastic Art Awards and $10,000! In our view, he is a winner already. His is the only fashion exhibit among the artworks.
A Lake Oswego high school senior, Chuck has been accepted to Parsons in New York and Savannah College of Art and Design in Georgia. Both are offering him full scholarships. He’s thinking about holding out for Central St. Martins in London.
We’ll keep you posted on his decision and his winning ways.
We like trends. Not because it makes us want to run out and shop. Instead it gives us a fresh look at the clothes in our closet and find new ways to mix and match. It lets us perk up an existing capsule wardrobe. If you want something new, we say #makersgottamake Do it yourself. Choose the right fabric. Make it fit. Do it once. Do it right. It’s the sustainable thing to do.
So here we go. Perhaps you have something to rediscover or something new to bring life to your ensembles. For example, old favorites such as animal prints, jumpsuits, big shoulders, yellow and lovely lavender made dominating comebacks. Try:
From Soybean to Desert Sand, shades of beige painted the runway like a rainbow of light browns. Chicago Harper by Josh Buck
An intense 80’s revival with big sleeves and bigger silhouettes hit NYFW. Don’t want to go that far? Try mutton sleeves. We just patterned a pair in knit in our latest Pattern 4 class. Cocoon Jacket by StudioSKB
Always a reliable staple, the shirt dress is ideal for professional fashionistas and stylish savants. Try it in trending color: yellow. Day Dress PFI pattern #1551
Stripes came in all widths. Stripped down, vibrant colors, pin stripes paired with chunky stripes, parallel prints running perpendicular to perforated patterns — stripes are in. Lancaster Dress by StudioSKB
The slip dress returns as a runway favorite. Although the original slip is simple, designers have gotten a little more playful for 2020. Try it in trending lavender. Lingerie PFI pattern #7010
Animal print, electric and eclectic, lit up the runways this season. From cheetah and leopard in a variety of neon to zebra and sequins, there was enough fashion to fill a forest. Davis Blouse by StudioSKB
Overalls & Jumpsuits
The blazer dress, wide-leg pants, and the leisure suit all had their day on the runway. Although these garments continue to walk the walk, the new “it” garment is the jumpsuit. A pair of pants that doubles as a shirt, chic as can be and comfortable to boot, the jumpsuit is perfect for every occasion. Parker Jumpsuit PFI pattern #2051 (left); Marianne Jumpsuit PFI pattern #2015
Patchwork and prim, designers have spliced styles together to create a couture collection of textiles and fabrics. A great way to recycle your fabric stash. Fusion Jacket by Chuckslab
There was a lot of structure this season, from big sleeves (as we’ve seen) to skirts and blouses. But the true artistry was in the necklines, subtle and stylish. Fontaine Jacket by StudioSKB
That’s it. Everything old is new again. Shop your closet. Sew something wonderful to add joy and we’ll see you in 2020.
April 11, 2019
by Wm. Steven Humphrey, editor-in-chief
Held twice yearly, Fade to Light is the fashion show for people who love fashion shows. Created and produced by former Mercury style writer Elizabeth Mollo, Fade to Light pushes the boundaries of standard runway shows by encouraging local designers to experiment and reveal the muses that inspire them. And the recent spring installment of Fade was just as exciting and thought-provoking as always. Portland Fashion Institute students showed remarkable maturity and fashion-forwardness with their intricate and innovative draping and fabric manipulation techniques. Other heavy hitters included Altar’s always excellent house line, Ale O’s asymmetrical minimalism, and strong, fantastical design chops from Ai PDX’s Ibet Lopez, Tyrone Spencer, and Bi Quang Pham. That said, the crowd went absolutely nuts for Holy Voids’ smartly tailored “Where the Wild Things Are meets Satan” fashion freak-outs, as well as COLTY, whose snappy, sharp line of leather handbags, backpacks, and body harnesses were revealed as scantily clad models tore themselves out of body-length stockings. It was scary, kind of disturbing, and entirely sexy—providing yet another shining example of how Fade to Light adds a jolt of creative electricity to Portland’s already fantastic fashion scene.
Sewing up the future
Stephanie Basalyga — Portland Tribune
Photos by Jonathan House
Thursday, March 28, 2019
Portland Fashion Institute’s recent expansion holds good news for local apparel design
When it came time to expand Portland Fashion Institute, founder Sharon Blair found the answer in her own backyard.
The school, which uses a former house on the corner of Northeast Tillamook Street and Northeast 43rd Avenue in Portland’s Hollywood District, recently purchased and renovated a neighboring house. Blair said the purchase was necessary to meet growing demand for the school’s classes and certification programs.
The ground-floor of the second location at 4225 N.E. Tillamook St. now contains a fabric store called PFI Supply that is open to the public. Rooms on the upper floor as well as basement space are for classes taught by a faculty that includes professionals from local apparel manufacturing companies.
Blair, whose resume includes a career as a fashion designer and apparel entreprenuer, says the Hollywood location is ideal for the school’s two buildings in large part because research indicates the area boasts a high number of people interested in sewing.
Offering sewing classes was Blair’s main focus in 2002 when she started a venture called Portland Sewing, which served an initial class of four students. By 2010, she had added classes in the business of apparel. In 2016, Portland Fashion Institute opened its doors as a licensed commerical school.
As the school’s class offerings increased, so did the school’s popularity, driven as much by reality television shows like Project Runway — 11 of Portland Fashion Institute’s student have competed in the show, with one selected as a winner in season eight — as by willingness of city residents to embrace a sustainability mindset that extends to their wardrobes.
Faced with a fast-growing enrollment and lack of room in the 2,800-square-foot original location, Blair began looking for a second building. After searching for nearly a year without success, she learned the house next to the school’s original building was for sale.
From designers to DIYers
The school saw a jump in enrollment starting in 2016, when a certificate program it created was approved by the Oregon Higher Education Coordinating Commission. From a first-year class with 20 students, the school has expanded to three certificate programs — apparel design, apparel technical development and apparel entrepreneurship — serving a total of 57 students at any one time.
The school serves another 630 students each year who come seeking individual classes for personal or professional development. Part of the attraction, Blair said, is the fact that Portland Fashion Institute offers classes for a range of students, from designers looking to earn certification to people interested in one or two classes either for fun or for continuing education.
Portland Fashion Institute only uses teachers who work in the fashion industry. The main goal is to ensure that teachers are up to date in industry trends and practices, but that real-world connection comes with a bonus.
“It also turns out quite a few of them are hiring managers for their companies,” Blair said. “So, they’re able to spot the next talent.”
That pipeline to jobs at local companies has resulted in a 100 percent placement rate for students once they finish their certificate programs, Blair added.
Building on basics
The world of apparel design is becoming more high-tech, but Blair holds firm in her belief that a successful career in the industry still requires building a hands-on foundation.
“You always have to know how things go together and we teach those basics,” she said. “Any garment has a certain set of operations, whether you’re doing it by machine or by human being. What we try to teach our people is (they’re) not necessarily going to be doing the sewing, but (they’d) better know how it goes together so (they) can specify that to the factory or the sample sewer or the production house who’s going to be putting that together.”
Students enrolled in the certificate programs also are required to take 36 credits of business courses. Blair has tapped local professionals to teach classes on topics that include branding, marketing strategy, building financial plans.
The school also partners with Mercy Corps Northwest’s Business Development Services along with its Small Women’s Business Center, which offers low-interest loans for entrepreneurs, especially women and minorities. About 80 percent of the students at Portland Fashion Institute are women, while 40 percent of the school’s students identify as minorities, Blair said.
Most students complete the certification program in two to two-and-a half years. The programs are broken into quarters, which align with those at local public schools.
“Most of our students have jobs, are married, have kids,” Blair said. “So, they’re trying to have a work-life balance and fit in schooling.”
Blair is looking at possibly finding a third location in the near future. The school is “very close” to receiving accreditation, according to Blair, and she believes that will attract even more students. The status means Portland Fashion Institute will be included in Department of Education and career counseling lists available to students at high schools. It also will allow the school to accept to accept Oregon Savings Plan money and federal financial aid.
The institute has long had a commitment to helping students graduate with little to no debt, even using the hashtag “studentswithoutdebt” on social media. While the school will continue to offer plans that allow students to pay for classes as they go or break up payments through a quarter, Blair also plans on hiring a financial aid officer once the school receives the accreditation.
“If (students) really insist on borrowing … through financial aid, then we’ll have somebody to help them,” she said. “But we’ll find every avenue we can to make this education affordable to them so they graduate with a clean slate and not have a monkey of debt on their backs.”
Portland Fashion Institute will serve up a double celebration on Wednesday, April 10, in honor of Portland Design Week and the school’s ninth anniversary.
The school will offer a series of demonstrations from 4 to 5 p.m. that will include patternmaking, machine knitting and fabric painting.
From 6 to 7 p.m., Michelle Lesniak, a self-taught Portland designer who won season 11 of Project Runway and moved on to become a cast member of Project Runway Allstars, will discuss what it takes to succeed in fashion design.
The school also will offer tours of its new building, including a fabric store that’s open to the public, and a special exhibit of Barbie dolls featuring 100 outfits by some of the biggest names in fashion design.
Registration to attend the demonstrations is available online here.
How to launch your fashion brand
from Sharon Blair, director, Portland Fashion Institute
How to get a job at Columbia Sportswear — or any of Portland’s major apparel companies.
We asked Adam Andreas, senior product developer at CS and instructor at PFI. Here’s what he had to say.
Q. In your field of work, what education, skills, and training do you seek in the ideal candidate?
A. I seek someone with concrete skills in design and computer applications like Adobe Creative Suite who can demonstrate and show those skills. Ideally someone with a college degree and certificate, or certificate in apparel and demonstrating high level of skills and understanding of apparel construction and design. [Editor’s Note: PFI offers these certificates.]
Q. Does your field of work genuinely hire full time?
A. Yes generally 90% of roles in design/development are full-time. Usually if temp there is opportunity to be hired on which happens quite often.
Q. Are there specific schools or training you recommend?
A. I recommend a training in apparel design or tech design. It is important that the person who has training has it specifically in apparel and not another design concentration such as industrial or interior design as the ideal candidate has knowledge in apparel construction.
Q. Does this job have any special requirements? (Ability to travel, shift work, special licenses, etc.)
A. Ability to travel is a must. Typically 1-2 international trips to vendors, some domestic travel at times. No other special requirements.
Q. Do you know other employers that hire for this or similar occupation?
A. Yes. There are quite a few apparel companies [in the Portland area].
Q. What is your entry-level salary range?
A. $40-50K per year is typical entry level salary.
Q. Are there advancement and educational opportunities?
A. Yes. There is an online and onsite Learning and Development department with classes available to increase skills in every way possible. For advancement opportunities there are many. There are opportunities to move up in departments and there is also opportunity to move laterally between many different apparel focused departments such as design, development, materials, quality, merchandising, sourcing. All areas are valid to move into with an apparel design background.
[Editor’s note: Adam teaches Flats & Techs plus Concept & Development for PFI. Look for all of these classes at PFI. After all, “we are apparel people teaching apparel people.” Flats by Erich Treeby, PFI graduate and tailor at Wildwood & Company.]
Charlie Ryan and Dieter Vlasich just landed a future in fashion design.
Each won a scholarship contest and $2,000 worth of fashion design classes at Portland Fashion Institute, an apparel design and sewing school in northeast Portland.
As a result, each will build their skills and create a portfolio that could land entry into a prestige fashion design university.
“Normally, we choose only one winner each year,” said PFI director Sharon Blair. “But both of these applicants were so strong, we had to choose both.”
Ryan chose a sportswear theme he calls “Spacesuit for the Streets”. A varsity lacrosse player, he took advantage of a knee injury to design what he saw was missing from menswear: An updated angle on the traditional t-shirt, hoodie, sweatpants that every teen wears. Bright orange and white with lots of zippered circular pockets, his outfit is not only functional, it is stylish.
“I aim to create high fashion for everyday use,” Ryan says.
Vlasich won based on his designs for an oversized angular suit he calls a “reaction to the toxicity of modern society.
“I wanted something fierce, aggressive and empowered.” His colors and silhouette reflect current trends and reminded PFI’s judges of high fashion designers Yves St Laurent and Comme des Garcons.
“I’m looking forward now to learning professional techniques at PFI,” Vlasich says.
Both taught themselves to pattern, fit and sew. Both are 17.
Vlasich plans to attend Central St. Martins in London. Ryan is interested in possibly attending Parsons or Fashion Institute of Technology in New York. All three schools are internationally recognized colleges for fashion design. Their alumni include designers Donna Karan, Calvin Klein, Marc Jacobs, Zac Posen and Stella McCartney. Such schools require portfolios as part of a very competitive admissions process.
This is the eighth year for the annual contest. It is open to full-time students in Portland and Vancouver area high schools who have a GPA of 2.5 or more. Each contestant creates an original apparel design idea with sketches, interviews of influential people and an essay on fashion design.
Judges included directors and managers for Kroger, Columbia Sportswear and Nike.
More than 6,000 persons have studied at PFI since it opened in 2010. While most students come to PFI for a class or two, those interested in a career have gone on to start their own clothing lines, to work for one of the area’s many apparel companies or to gain entry into one of the top schools in New York, London or Paris.
So, what will be the new color palettes as we look forward to a new year in fashion? Pantone, the world authority on color, has its color trend predictions set for Spring/Summer 2019.
Featuring 12 colorful shades and four neutral tones, the report declares the mindset for Spring/Summer 2019 to “reflect our desire to face the future with empowering colors that provide confidence and spirit; colors that are uplifting; joyful hues that lend themselves to playful expression and take us down a path of creative and unexpected combinations,” according to Pantone.
Pantone describes the roundup of colors as choices that “transcend seasonality for both men’s and women’s fashion,” and, at a glance, that seems to be true. Hues like Jester Red, Terrarium Moss, and Toffee would be just as lovely and at home in autumn and winter, while Living Coral and Pink Peacock are as summery as they come.
Here is the full report:
It’s not a surprise to see colors like Sweet Lilac, which recalls the Millennial Pink craze, and Princess Blue, an electric take on the mainstay color that promises to dominate the year ahead.
Turmeric, Pink Peacock, and Aspen Gold are all bright, cheerful colors that will prove exciting additions to any warm-weather wardrobe, and the quartet of neutrals in this recent report are beautiful and breezy.
There are some similarities to the 2018 Spring/Summer report, but the choices here are a bit more saturated, where 2018 had more of a pastel look about it. The 2019 selection is decidedly bolder, brighter, and fun. It will be very interesting to see which colors turn out to be crowd favorites, but at first glance, it looks as though 2019 may be a year for orange.
Images courtesy of Pantone